Good Work: 2014-2015
“Good Work” is about objects and actions whose value isn’t readily apparent. The work isn’t always about making something that is readily understood as “good.” Something I feel genuinely excited by usually evokes a more specific word than “good”. Goodness is vague, dull and a little weak. The designation sets a thing apart and celebrates it, but perhaps consummates its completion and empties it out. This work is an effort to understand my perception of the work I do, the way it ought to be done, how those have been shaped by my class background and continue to shape my character.
Three Chairs, 2014
Variable dimensions
Mahogany plywood, oak, melamine, child’s chair, toilet seat, ratchet strap, water cooler, hardware, spackle, glue
Tissue Box, 2014
10"x5.5"x5.5"
MDF, spray paint, brass, hardware, lock, adhesive, tissue
Olivewood Plinth, 2014
36”x36”x45”
Inkjet print on MDF
Box, 2014
20.5” x 14” x 12”
Cardboard, packing tape, pine, masonite, plexiglass
Work Glove, 2014
8”x5”x3”
Cast Bronze, oil paint
Found a Job (Employee Appreciation Gift), 2015
3.5"x5"x8.5"
Maple, plywood, poplar, spray paint, latex paint, oil, oil pastel, glue, sticker, poly urethane
Sleeper, 2015
12"x 22"x 43.5"
Plaster, oil paint, wax, steel, wood-screw clamp, wood yo-yo
Pinocchio’s Leg, 2015
14"x 6.5"x 29.5"
Birch and birch plywood
Observation Devices: 2016-2019
Observation Devices is a project about Chicago police surveillance and public space. Observation Devices invokes the name of the Chicago Police Department’s surveillance cameras: called “Police Observation Devices”. These cameras are the infrastructure of Operation Virtual Shield, one of the largest public and private surveillance projects in the world.
Observation Devices is an expansion and critique of Operation Virtual Shield. Its intention is to de-center the images of the public generated by and for the Chicago Police Department. Chicago’s massive investment in surveillance infrastructure demonstrates the Chicago Police Department's belief that visual observation of public space has power. My work is an attempt to reclaim some of this power. I hope to demonstrate ways that observation can foster intimacy, connection, curiosity and a more complex understanding of the public and public space.
Police Observation Device at Potomac and Washtenaw (3/4 scale), 2016
6.5”x9”x10”
Cherry
Potomac and Washtenaw (post), 2017-18
6"x6"x7"
Manipulated 3D print (PLA) generated from 3D scan
Police Observation Device at Potomac and Washtenaw, 2016-2018
8"x12"x14"
Cast concrete on Milk Crate Modules
Milk Crate Modules:
13.5”x13.5”x11.5” individual stacking units
MDF, milk crates, spraypaint
Police Observation Device at Potomac and Washtenaw, 2016-2018
8"x12"x14"
Cast concrete
Police Observation Device at Division and Washtenaw, 2018
4.5”x4.5”x13.5”
Cherry, wire and woodglue on Milk Crate Modules
Milk Crate Modules:
13.5”x13.5”x11.5” individual stacking units
MDF, milk crates, spraypaint
Police Observation Device at Division and Washtenaw, 2018
4.5”x4.5”x13.5”
Cherry, wire and woodglue
Police Observation Device at Spaulding and Evergreen, 2018
3.5”x5”x16”
Cherry, wire, woodglue
Police Observation Device at Potomac and Washtenaw, 2018
3”x4”x11”
Cherry, wire, woodglue
We All Live Together: 2024-Present
We All Live Together is an emerging body of work that includes large-scale drawings and functional ceramics. In these works, I illustrate ambiguous mass-gatherings of what might be commuters, festival-goes, protestors, or evacuees. Each crowd contains a myriad of appearances, complicating the dynamic of shared experience through apparent differences. These works evoke the often unseen–but ever present and problematic–reality of human interconnectedness.
We All Live Together Tumbler 1, 2025
3”x3”x6”
Soda-fired ceramic with slip decoration and glaze
We All Live Together Tumbler 2, 2025
3”x3”x6”
Soda-fired ceramic with slip decoration and glaze
We All Live Together Planter, 2025
5.5”x5.5”x8”
Soda-fired ceramic with slip decoration